My Career Is Stagnant At The Moment…

(Taken late last month.)

There’s not much I can do about it. What I can do is take stock of where I’m at now:

•SAG eligible

•A decent theatre resume

•A film credit

•Nominated for a regional award

That’s what I have for the time being, though I managed to get this done at a rapid pace of 3 years (SAG alone takes some people a decade.)

Right now, the only thing I have going on is my YouTube channel until I work another film in 2019. I’ll try to keep this page updated on any industry related things that may come up in the meantime.

Big Things In The Works!!!

(Taken Monday after my epiphany.)

While I was rambling on one of my Instagram stories (saved in the highlights) about one of the films we showed at work: I thought about vlogging film and television reviews. A friend of mine suggested I use a separate platform as to not disrupt my current social media brand. Well that sparked something.

Currently I have an active YouTube channel that I use specifically for self-tape auditions. Since those links are usually private, I don’t have other content posted for the public to view. Until now.

Posting reviews is hardly anything new and there is plenty of competition out there for me. However, I just want a platform to air my grievances at other people over what I should actually be doing myself…work in the film industry. That is the premise. You are going to watch an actress who is also trained in the technical side of film, bitch and complain about why the production was bad, while also praising what’s good about it.

Don’t expect it to be comedic. Comedy is a precious skill afforded to few and its not my forte. My biggest hope is that it’s relatable and informative. Just like my blog.

I’m excited aren’t you?

Second Chance

(Source: Sailor Moon, Toei Animation. Creator Naoko Takeuchi.)

Remember two weeks ago when I submitted my information to a high level mover and shaker in the industry? That gig they advertised has come and gone with me not working on it, but they advertised another casting call scheduled for this week.

As always, I strike while the iron is hot with this strike leading to some success! I got a call back for a live audition.

This gig may also not be for me, however, I will definitely be on their radar for any future project.

The other rumor about this individual…they may be able to represent talent. Ultimately that is my goal: to get representation, bigger parts, and more work. Wish me luck!

Wonder Woman 1984

(My jammies from the 1980’s when I was little. It has a cape attached too.)

Production for Wonder Woman 1984 is in full swing. Although I’m trying to work on bigger parts than just background, this is a film I can’t afford to ignore. Obviously because I used to watch the Lynda Carter reruns when I was a kid. I had the jammies as featured above. I later dressed up as Wonder Woman for a pole dancing recital which was so much fun!

But a little known fact about this film in particular:

I was born in Washington D.C. in ’83. In 1984, I would have been still residing in D.C. with my mom as a 1 year old riding around in a stroller. How fun would it be to perform in a film that’s shooting in my birthplace and taking place during a time period that I would have been alive?

If they let me push a baby girl around in a stroller, I could play the role of my mom and the baby girl could play the role of me. Now that would both be funny and historically accurate!

Another Work Day and Maybe Some Good News

(Source: @witsandsass IG)

I’m seriously dragging today on my way to work. While this place is honoring my schedule and paying me, there are still problems. One, I’m paying too much money to get there as opposed to the job I truly wanted which was down the street from my house. Two, I’m still seeing some of the weirdness from this job.

(Source: Facebook.)

To top it off, it isn’t over yet. I have one more shift tomorrow, that is if I make it until then. Nothing bad though. Just an opportunity that may force me to take a leap of faith. That leap would be well worth me losing my job. Especially since my patience for nonsense is extremely limited.

(Source: someecards.com and On Stage Blog. I enjoy working in the shadows lol!)

I got a response for a project that would be filming tomorrow at the same time I’m supposed to work. There’s no confirmation if I am going to be working on this project in any fashion. So far I had to submit more information, my résumé, photos, social media handle, and my location.

What I’m hoping for is to work on the project regardless of whether I’m acting (which is what I originally submitted for) or crew (which I added I could do too.) The reason why this is such a big deal: the person who is coordinating the project is attached to a major super star right now, working in the depths of the industry.

Much like my time at Tribeca Film Festival, this is an opportunity to build my résumé and make connections. I have to prove myself worthy for this gig and I hope that they are willing to work with me.

Manhattan Monologue Slam

(Source: Thespian Peacock Tumblr and Pinterest.)

I got a last minute invite to the Manhattan Monologue Slam. Believe it or not, I have never heard of this showcase until a couple of weeks ago. One of the background actresses I met on the set of Creed 2 was inviting a group of us to be a part of the Philadelphia branch of this project. They weren’t able to pull off the May start date like they wanted, so instead we were invited to the original in NYC.

They only give us 30 seconds of time to perform a monologue. If they like us, we can move on to a bigger event where we would perform a 1-2 minute monologue. Either way it is a good event to attend as there are agents, celebrities, casting directors, and a slew of creatives in the audience watching you. The event itself is great for networking.

My biggest hope is to perform the monologue all the way through. I chose a brief part from the play ‘Carmilla’ that I was in as that would be most comfortable for me. The last time I attempted to perform one, I bombed it and had a panic attack during my audition for ‘Twelfth Night.’……………………………………………………………Please Jesus, see me through this.

Borg vs. McEnroe

(Source: Teaser Trailer.com and Pinterest.)

This film just completed its run at my job and I wanted to unpack my thoughts about it. Not the quality of the film, which in fact was very good, but the process that went into making it.

The reason is, there are so many locations used, crowd scenes, costuming, historical accuracy respected, camera angles, stunt doubles, and shoot days.

Let’s start with locations. According to Wikipedia, this film was shot over at least 5 locations: Gothenburg, Sweden; Södertälje, Sweden; Prague, Czech Republic; London, United Kingdom; and the country of Monaco. The stadium used to mimic the Centre Court arena was in Prague and not the actual arena in Wimbledon* if you can believe that.

Crowd scenes. Oh boy do I know about quite a bit about this. Working crowd scenes, seems to be what I do mostly on my background shoots. Whether I’m at a party or a courtroom, chances are I, and a number of other background actors are being herded to set by Production Assistants. For this type of crowd scene though, they needed hundreds. With enough costuming to cheat the shot and make it look like thousands were in attendance. I could only imagine the casting notice for a shoot like this:

Seeking Men and Women, ages 18-99 for early 1980s Upscale Spectators in an outdoor sporting event. Must have multiple Summer looks to choose from and period appropriate hairstyles.

I didn’t include a pay rate because I don’t know how much they paid their actors, but that would usually be a part of the casting call too.

Costuming for the late 1970s, early 80s would be a pain. Not only does the background have to be in time appropriate clothes, but the principals as well. Many of the actors, I could tell, grew out their hair to match the look of the era. Though some of them had wigs on that looked mighty questionable.**

The costuming wasn’t the only thing that had to be respected historically, but much of the play too! The stunt doubles that actually played tennis match are great at what they do, because it definitely looked like they matched key moments of play.

The camera work and later editing, is what made this film. I’m sure this was multiple shoot days as it usually takes about a 12 hour day to film 5 minutes worth of footage at different angles. Plus the days had to be sunny. This doesn’t include the hard work the lighting crew has to put in to assist with making the lighting look consistent throughout the entire tennis match.

By far one of the more impressive films I have seen composed on the independent circuit.

*I kept wanting to spell Wilmington, which is where I live lol.

**I have a different word other than “questionable”, but I’m trying to be polite.

Creed 2….FINALLY!

(Source: Quickmeme.com and of course Rocky 2.)

Your girl finally got picked to work Creed 2! It also appears that I won’t have to play Sister-Cousin to Tessa Thompson (Hooray!)

Thank you. Thank you. THANK YOU!

However…knowing how production companies have picked me for roles so far, I’m probably reprising my role as a rich socialite.

*Sigh* I wish my bank account reflected how I look.

Anyway, I’m working on Monday. I can’t wait!

Tribeca Day 1

(Circa yesterday on my break.)

Last night was my first shift of the festival and it was different for sure. The job of being an Orange Hat isn’t difficult, but there is so much excitement going on that trying to help our VIPs can be overwhelming. That being said, we have a mixed bag of VIPs to assist and that includes celebrities. When that happens, it’s essential to keep your game face on, and not get star struck.

Speaking of celebrities: I have also witnessed my first red carpet in real time. The flash from the cameras were blinding (I don’t know how they can stand it.) One thing I did notice was how quickly they do a red carpet event. It was all of 10 minutes max that I saw Ethan Hawke and Noomi Rapace (both appearing for their film ‘Stockholm’), fly through the entire thing with interviews included. Then the Tribeca crew had to replace the name tags of the previous paparazzi with different paparazzi, change the background, and set up new barricades for a new set of celebrities to walk past. Absolutely nuts!

Speaking of paparazzi: I made friends with one! I spoke to him on my break. He noticed I had Crew credentials on and asked me how I liked the festival so far. I told him it was cool and I had never seen anything like this before. Even though I have worked at comic cons, this was a new level of chaos. I also told him how I’m utilizing this opportunity for my career since I’m an actress too. We chatted for a while longer, he broke down the process of a successful red carpet experience for both the celebrity and the photographer. The process of selling photos, and showed me some of his work. He also does professional headshots, so I may reach out to him in the future.

Speaking of making friends (this post has the most convenient segues): the Orange Hat Crew is very cool. Since we are all mixed in the chaos together, we are also bonding. So far, I have met a woman who travels to work the big film festivals on crew (I wish I had the cash flow to do that.) I also met a woman who works both the HR division (my old gig) and is also helping out on crew. Another person I met is the one who was courteous enough to buy me the coffee you see in the photo, even though I didn’t ask him. He works on a production crew and is aspiring to be a screenwriter. When the festival wraps up there will be an after party in early May. I think I’m going to attend.

I think that’s everything I want to post about so far. Today is day two and it may be much of the same, but I will keep you posted on any new developments.

Kind of a Bum

(Photo taken today. Filter courtesy of Instagram.)

I have things going on, and yet I don’t have things going on. On the positive side:

• I got booked to work Tribeca Film Festival this year.

• I got a mentor to help me with my voiceover portfolio.

• I have two jobs at the pole studio and the movie theatre.

On the downside though:

• I haven’t been doing much performing.

Much of my depression, I believe, comes from the fact that I don’t feel like I’m doing enough; even though I’m doing plenty.

There are a couple of things coming up that I’m going to try to dip my toes into. First and foremost: Saturday Night Live has this Saturday and next where they will air an episode. I applied for this weekend, but if they don’t take me this weekend, I’ll definitely apply next weekend since I’m already going to be in NYC for Tribeca’s orientation. Also the community theatre in NJ (that I had the amazing ‘As You Like It’ audition, even though I didn’t get picked) is holding auditions for ‘Twelfth Night’. Which is funny, because I bombed the last ‘TN’ audition with Shakespeare in Clark Park, Philadelphia. Maybe I’m just supposed to try again with a different group. It would be earlier in the Summer, which is good, and in a very hip little town in Jersey. The only conflict is transportation, but I will figure something out.

Ultimately, I need to get out of this rut. Especially since it appears that most of my friends are working on various projects and shows (like Creed 2, which surprise, surprise…I didn’t get picked again 😏.) I don’t want to get into that jealous phase where I’m judging myself by another person’s highlight reel; so I really need to do something of my own soon. Even if the part is tiny, I don’t care. I want to be productive.